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Creation of a typography specific « Viparis » in collaboration with Hélène Marian and Maxime Fittes.

This typography was designed in correlation with the signage spaces of Viparis. This font meets the requirements of this use :

The letters that compose it are both readable closely and from afar, and its forms are engaged in a lineal utility as identity.

It offers two levels of reading:

–  By far a first readable level > synthetic lineal

–  Almost a visible level > strong and singular details

Consisting in a light (English), a bold (French), an italic (secondary information)

and a stencil (parking lot stencils) it was designed to meet the needs of multiple reading levels

needed to Safety of as different as complex spaces.

Technical specifications

>  Short-down and bottom

=  Great eye level for a significant impact of lower case and readability

>   Capitals as the same height as the bottom

=  Ergonomic composition panels

=  Simplicity and visual clarity

>  Casual wheelbases

=  Inspired monochasses, they offer greater differentiation of letters between them

>  endings

endings « open » the making it readable typography great

as in small bodyfont

>  Ink traps

=  Offer two different visions of the same typography

–  From a distance, or small bodytext: they do not see themselves, and allow connections only « clog » not

–  Viewed up close, or large bodytext: they give the typography a wealth of detail, and a real feature

Viparis manages the ten main conference centres and exhibition/event/show venues in the Paris-Ile-de-France region:

Carrousel du Louvre, Cnit Paris La Défense, Espace Champerret, Espace Grande Arche, Le Palais des Congrès de Paris,

Le Palais des Congrès d’Issy, Palais des Congrès de Versailles,

Paris Le Bourget, Paris Nord Villepinte and Paris Porte de Versailles.

Viparis hosts exhibitions, shows, conferences and business events,

for the general public and professionals from a complete range of sectors.